Fabio Frizzi

Five great horror soundtracks to play this Halloween

It’s finally Halloween! The greatest night of the year. We’ll wake up tomorrow to a world of Christmas music, but for tonight: the world is ours, horror fans!

I love a good horror movie soundtrack any time, but I’ve chosen five of my favourites to listen to tonight. Don’t (or do) listen to them alone tonight. But be sure to lock the doors.

1. Deep Red (Profondo rosso) by Goblin and Giorgio Gaslini

Goblin’s soundtrack for Suspiria typically gets more love. I get it, it’s one hell of a soundtrack (and my personal top five). But there’s something very interesting and exciting about Profondo rosso. This giallo’s score switches seamlessly between Goblin’s progressive sounds, to the incredibly creeping singing of a child, to Gaslini’s more traditional pieces. Even if you just seek out the title track, it’s worth it. But “Mad Puppet” is really the jewel in the crown here. It’s a bit funky, like if you feeling a bit cool before you’re about to die.

2. Halloween (2018) by John and Cody Carpenter, Daniel Davies

Including this just because you’ve probably listened to the original once or twice already. This is an updated take on Carpenter’s soundtrack from the 1978 original, and it feels a lot more industrial because of it. Come for the familiarity, stay for the excellence.

3. City of the Living Dead (Paura nella città dei morti viventi aka Fear in the Town of the Living Dead)by Fabio Frizzi

Ominous and foreboding, this is Frizzi at his finest. City of the Dead is surreal and shocking (like most of Lucio Fulci’s work), but Frizzi has always complimented his vision well. It might not be your favourite movie, but the soundtrack is always glorious.

4. It Follows by Disasterpiece

Easily the most unsettling on this list. While It Follows is already a few years old now, its soundtrack still sounds like the future of horror. You can find its 80s synth inspirations everywhere now. While there are lighter moments (“Jay”, “Detroit”), much of the soundtrack builds to painful stretches of suspense (“Heels”). I can’t listen to “Inquiry” without getting goosebumps. Sure, it’s just music, but are you sure there’s nothing following you?

5. Carnival of Souls by Gene Moore

Want to remember those fond feelings of being terrified in church? Well, look no further than this eerie organ-based soundtrack by Gene Moore. The music immediately invokes the feelings of loneliness and desperation Mary feels throughout her journey. Definitely not one great to play at parties. This was movie made on a shoestring budget, but somehow the soundtrack (and the movie) defied all of that to create something really special.


What will you be listening tonight? Sticking to “The Monster Mash”? Probably for the best…if you want to sleep tonight.

Advertisements

MCM Comic Con 16, Day 1: Two Ians, Iron Man in the hands of the Irish and an horrific Italian (almost)

This Friday was the first day of the Autumn MCM Comic Com in London. It was an unusually quiet day for the convention, but there were still some great names from the realm of DC Television to some of Britain’s best indie shows and films. 

But early on in the day were two familiar faces to MCM, Game of Thrones actors, Ian Gelder (Ser Kevan Lannister) and Ian Beattie (Ser Barristan Selmy).

The pair of actors reminisced about their time in set, but mostly spoke about their theories to the ending of the much-loved game-changing series. A bit like watching a pair of fans, but the most charismatic ones you could find.

Beattie noted that the only good thing about not being on the show was not knowing what was coming next for the story. 

As a large fan of the show and the “genius storytelling” that goes on, Beattie mentioned how he had never read the books, which he says he won’t read until series author George R.R. Martin publishes the 6th series or gets near to publishing the series. “I’m not doing Harry Potter again,” said the Northern Irish actor.

But like many of the fans anxious for the next instalment of the series, both Ians agreed that they hoped the book would diverge from the television series, but all ending at the same place with whoever ends up on the Iron Throne. 

Through apologise to Gelder, your dreams of seeing Bron on the throne may be a distant one.

Also at the con was popular Irish author Eoin Colfer talking about his upcoming Marvel novel Iron Man: Gauntlet

Instead of doing a lot of research, Colfer set his YA novel in his familiar setting of Dublin. It was also his way of usurping many of Marvel’s strict rules about what a writer can do with their universe.

The 1980s-fuelled novel serves as a way to look at the iconic Tony Stark character in a way that comics and films can’t. 

Colfer took the time to fill the book with references for 40-year-old dads and small details that fans may not have considered before.

The Artemis Fowl author, whose first love was graphic novels, made sure to include the Mandarin, a character he feels didn’t get justice in the film series.

Iron Man: Gauntlet is now out.

An interesting choice of guest was Italian composer Fabio Frizzi, who unfortunately had delayed flight, was unable to make his panel. 

It was great to get a horror legend at a  London con, even if I was unable to see him. Frizzi is best known for his scores for iconic horror films from Italian horror director Lucio Fulci including Zombi 2, City of the Living Dead and The Beyond. 

Frizzi will playing liveat the Union Chapel on Sautrday the 29th.

A big disappointment was that the convention booklets were printed with the wrong times. Thankfully there were handouts with the correct schedules, but me and my partner in crime, Virginia, we’re not informed – even at the press room. Really shoddy as it completely messed up our schedules. But alas, on to brighter days tomorrow with a (hopefully) correct schedule.

And as Virginia said, “It wouldn’t be MCM if it wasn’t confusing and weird.”