found footage movie

Wicked Wednesday: Bigfoot: The Lost Coast Tapes (2012)

As the world is seemingly getting smaller, the mysteries of the world seem a bit sillier. And yet, so many of us love the unknown.

This lingering obsession is seen in shows like Ancient Aliens. But increasingly, people are turning to true crime, the unknown more about what we know: ourselves.

In the found-footage movie Bigfoot: The Lost Coast Tapes, a group of contemporary filmmakers head to Northern California where they plan on speaking to a man who claims to have found the body of a Sasquatch. Their leader, the unlikable Sean, believes that their new documentary will be network gold.

When the group arrive, they struggle to find the home of the man they seek. They find a path, but their van gets stuck in the mud. They eventually come face-to-face with Mr Drybeck (played by Frank Ashmore, who absolutely steals the show). The eccentric man takes the group to his cabin in the woods, which is only powered by a generator.

Some of the filmmakers are more excited than others. On one end of the spectrum is sound buy Kevin, who is as meek as a mouse and believes everything Drybeck tells them. Robin, the producer, is a bit more relaxed. She ‘greets the forest people’ with her shaman skills (or something).

That first night, things immediately go south. Something attacks the group from outside the cabin – much to Sea’s delight. And in the morning, Drybeck drives off in his jeep without the filmmakers. In a panic, Kevin goes off on his own to retrieve the van while wearing a body cam.

The remaining group look at the damage done to the cabin and find large scratch marks and urine on the walls. They later find footprints and a nest. Robin is attacked by an unseen something, but is saved by Drybeck, who has returned.

The attack injures Robin pretty severely, hindering her ability to walk. Sean and cameraman Darryl insist on getting her to a hospital, but when they try to leave, they find every road block by large trees.

Sean agrees to stay at the cabin. Drybeck promises to take the remaining men with him to a sea cave to look at the Sasquatch body he’d found. That leaves Robin all alone.

It’s unsurprising when everything goes south from there. But is it the Sasquatch that are really to blame? Or are they really trying to protect people from the spirit world? Since this is found-footage, you don’t really get a lick of an answer.

So…The Lost Coast Tapes isn’t…great. Though I guess it’s as much as you can hope for from a bigfoot movie. Awkwardly acted, but stronger at other points. Confusing camera use (as per usual with the lesser of this genre). Sometimes entertaining. And surprisingly, very few of those scenes where it’s just the shake-y cam pointed at the ground.

But is there really room in our modern world for this type of found-footage film anymore? I suppose there’s a small slice of the audience who care. We make found-footage movies to be convinced by what’s on (or not on) screen. Going into movies like this is strange because we’re already certain that these creatures don’t exist.

….right?

Scares are very difficult to come by here. And I think that’s more the subject’s fault than anything.

Though, if there is a good big foot movie. Please send it my way.

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Wicked Wednesday: Mr Jones (2013)

Found footage films are pretty “Marmite”. Some people love them, others hate them. For me, I think the bigger question while watching found footage movies is why? Very few stories are enhanced this way. Do certain stories need to be found footage? Can the story be better told in a more traditional way?

In most cases, the found footage style is a waste. A ploy to get asses in seats.

Mr Jones is one of the more tough ones to figure out. For one, it falls into the category of “these people are way too attractive to be actual humans”. Think of all the reasons why Blair Witch failed and Blair Witch Project succeeded: are your actors believable? One of the best examples of this is Bad Ben (you’ve watched it already, haven’t you?). But I always find it difficult to enjoy a found footage movie when everyone in the movie looks way too good too be all together in the same setting.

The premise is on the lofty side too. A young couple decide to go out into the wilderness to stay in a cabin for a few months. It’s their sort of “reconnecting” opportunity as their relationship has been going through a rough patch.

Husband Scott is a documentary maker, trying to get work done out in the wild. But he quickly realises that he has no point in mind for his new film, and it doesn’t help matters when he quits taking his medication.

When his wife, Penny, finds out about his self-treatment, she becomes upset. The couple continue to be on the rocks until one night. A group of birds attack the house. And the following day, Scott’s backpack (containing the car keys) is stolen by a hooded figure.

He and Penny eventually track down the figure and find a home filled with strange scarecrow-type figures straight out of the Blair Witch’s house. But while Scott becomes paranoid, Penny becomes absolutely jubilant. When they return to their cabin, she informs Scott that the man they followed is “Mr. Jones” – a Banksy-esque artist whose work is worth millions as the artists himself stays anonymous.

The couple quickly decide to make money off their find and focus Scott’s documentary on Mr. Jones. Scott goes to New York where he begins collecting interviews with various art collectors, experts and the people who have received pieces from Mr. Jones unsolicited. The collectors love Mr. Jones. The experts love exploring the artist’s use of protective charms as his motifs. And the people who’ve received the art? Well, they’re haunted by a nightmare.

Penny, meanwhile, stays in the country where she bumps into Mr. Jones. She notices that the ‘artist’ wears a creepy burlap sack mask. But the man seems harmless.

When Scott returns, the couple decide to step up their game and break into Mr. Jones’s house again. Scott leaves Penny outside to keep watch as he goes through a hatch. He finds an endless maze-like tunnel. He eventually comes across a room, set up in a shrine-style manner filled with the scarecrows.

Scott sees one of the figures, a baby, and steals it from its spot. Meanwhile, Penny comes across Mr. Jones again. When Scott finds her, she doesn’t seem to remember what happened to them.

What follows is a seemingly endless second half of the movie. A little like that tunnel system ol’ Jones has. The couple see doplegangers, dream-like nightmares and other pointless stuff!

It’s a movie that started off with a fairly great idea and plummeted into the world of We Didn’t Finish the Script.

In many way Mr Jones struggled. And it wasn’t just the ending (and the ending was loooooong).

While the use of the high-end cameras was neatly explained away, it just felt silly. The viewer isn’t stupid and can see right through the flimsy premise. There really was no need for the dual perspective cameras, which much of the ‘footage’ relies on. And there was really no need to be filming themselves. Scott wanted to make a nature documentary, why was he filming arguments with his wife? I mean, who edited this footage anyway? Penny?

I also found it distracting that the characters didn’t really stay in character. Scott goes off his medication, but it’s quickly forgotten after the first few minutes. If it was alluded to again, it was way too subtle. And if you were to ask me to characterise Penny, I couldn’t. One minute she’s adventurous, the next she’s boo-hooing because she’s walking in the dark.

Mr Jones will probably hit the right chord with a certain type of person. But unfortunately, I was not one of them. It’s really a found-footage movie that needed to do a lot more soul searching.