giallo

Wicked Wednesday: The Last Matinee (Al morir la matinée) (2020)

It was nearly two years ago that I watched my first South American giallo, Abrakadabrah. I thought it was a great homage. The visual style was beautiful, and really, that’s a big reason why I love many gialli to begin with.

So when I spied the Argentinian-Uruguayan film The Last Matinee on Arrow Player, I knew I needed to give it a whirl. And I was pretty impressed, a movie with lots of nods to its predecessors while being able to stand on its own. Not always possible with these nostalgia-drenched movies.

The Last Matinee follows young engineering student Ana as she covers her father’s late shift as a projectionist at the Opera cinema in Montevideo. Everything seems normal during a rainy night in 1993 as the audience begins to trickle in for a horror flick.

Only one of these guests isn’t just there for blood on screen. He’s there for pickled foods, blood on his black gloves…AND YOUR EYEBALLS.

As the audience and Ana continue their night unaware of the lurking danger, the black-gloved man kills off the last-remaining cinema worker. He promptly locks the rest of the unwitting victims inside. He proceeds to knock off the audience one by one.

When the film stops suddenly, one of the girls in the audience realises that two kids have a pole through their eyes. As the audience (or what’s left of them) begins to panic, Ana realises that there’s something wrong below. But the man in the black gloves is quick to find the last of them and begins to stalk them throughout the theatre.

The ending here is like if Dèmoni lost its paranormal edge and veered ever-so-slightly closer to the American urban legend-style slasher. The use of the cinema as a set is just so good, it holds its own against the likes of Popcorn and Bava.

It’s certainly slow in its build, but the last act is nonstop and delightful (and very bloody). The only thing that was lacking for me was a great twist or reveal at the end. Gialli should shock you, but here we know who the killer is all along. That is fine, but I still wanted something at the end to make me gasp or be surprised.

But that’s not massive, the rest of the ride is really enjoyable. Plus the soundtrack is soooo good. Lots of synth. Maybe not wholly appropriate for 1993, but it suits the neon-soaked scenes so well that I will allow it. Can we get it on Spotify or something though, please?

Whatever you horror directors are doing in South America, please keep it up.

Wicked Wednesday: Summer horror movie recommendations

In the summertime when the weather is hot
You can stretch right up and touch the sky

Ah. The hot and dusty days of summer. When smelly people are everywhere, and we all feel ashamed for not losing a bit more weight before squeezing back into those old shorts.

I’m not a fan of summer. I think that’s what I get extra-excited about Halloween early every year (August the 1st, thank you very much). That being said, I love summer horror movies. Give me summer camps, dying shrubbery and sweaty people running from things. It’s a very satisying asthetic.

So I’ve gathered up a few of my favourites. There’s certainly a lot missing here…and there’s a lot of “stretches” involved. But my blog, my rules.

1. The Funhouse (1981)

This little Tobe Hooper number exists in god knows what time of the year. Sometimes it feels like autumn, sometimes summer. I think we can narrow it down to Indian summer at best.

The Funhouse follows a group of teenagers who go to a seedy carnival in town. When they decide to spend the night in the funhouse, they soon find themselves being stalked and killed by the carnival workers.

I always recommend this movie to people delving deeper into slashers, as it’s a rare gem in the genre: something you can watch all the way through without getting bored. But I love the visuals as well. It reminds me of staying at the state fair late into the night, bewildered by all the strangess around me.

2. The Texas Chainsaw Massacre (1974)

This is, for me, the ultimate summer classic. Another one of Hooper’s films, Texas Chainsaw Massacre really needs no introduction. It’s truly a masterpiece.

The heat. The sweatiness… It imagery just reeks of summer. It also has a lot of rotting flesh, so I imagine it reeked of that too. We may all have seen it half-a-million times, but who’s to say we can watch it half-a-million more?

3. I Know What You Did Last Summer (1997)

Right. So this is not my favourite Lois Duncan adaptation by a long shot. This movie actually upset Duncan when she saw it, as the violence reminded her of her own daughter’s tragic murder. It was stripped of its story and turned into a straight-forward slasher film (no hook-handed fisherman in the original).

But we couldn’t talk about summer horror without the one where it’s literally in the title. While I’m being a bit harsh on it, this is actually entertaining pop-corn fair. Sarah Michelle Gellar is an absolute gem in this one, so really just watch for her performance.

“I don’t think we’re that powerful, Julie. You’re giving us way too much credit.”

4. Spider Baby (1967)

This Jack Hill probably isn’t the film that immediately comes to most people’s minds when it comes to summer horror. But hear me out. Spider Baby is one of the brightest, sunniest horror movies I’ve ever seen.

When a couple go to see a family mansion, they find a group of mentally-regressing children in the home. The house is always being watched by people shading their eyes. That’s probably due to the fact that it was mostly shot in August and September in sunny California.

But there’s something very brave about a bright horror movie. It doesn’t need to always hide behind shadows in order to be unnerving. Yes eventually we spiral into the darkness of both the night and the family, but I think that makes the contrast all the more powerful.

5. Gatti rossi in un labirinto di vetro aka Eyeball (1975)

Some movies feel more like a season due to their settings. Is it in Salem? It’s perfect to watch in autumn. Is it Norwegian? Put it on in winter! So when this Italian horror gem puts ‘Americans’ on a tour bus in sunny Spain? It’s a summer movie to me, kids.

Umberto Lenzi’s Eyeball is one of my favourite gialli. It’s really bizarre (I mean really). It has a banging theme tune. And there’s that one grinning guy with the bag of oranges. Watching Eyeball for the first time was an absolute blast, and it’s been a pleasure to keep re-watching it ever since.

If this doesn’t get you in the travelling-for-summer mood, then I really don’t know what will.

6. Slumber Party Massacer II (1987)

What’s that? Another chance to plug my favourite horror movie sequel? Well, I’ll take that opportunity. Again.

This (literally) dreamy movie mostly takes place during the school year, but it still has some definite end-of-the-school-year vibes. The girls walk around in shades, sing Paisley Underground songs and hang out in unfinished houses. They also get killed by a drill/guitar-wielding maniac. Really just usual plans that we all pencil into our summer schedules.

I think because I associate this movie with the word “fun” so much, I immediately relate it to summer. Because that’s ultimately why most of these movies are here: what’s really the point of summer but to enjoy yourself?

7. The Summer of 84 (2018)

There are many coming-of-age classics: Stand by MeGoonies, and new-comers like Stranger Things. They’re all rich with nostalgia. We’re a nostalgic type of species.

Which is why Summer of 84 is great. It reminds you why you loved the classics of the 80s. It has a plot line that’s well-worn, but well-loved: the person next door isn’t who you think they are. Think of The People Under the Stairs and The Burbs.

Only this book has an added punch to the gut with it’s jaw-dropping ending. It’s the end of both summer, and of naive innocence.


So what is your favourite horror movie to watch in the summer? I bet it’s Friday the 13th. It is, isn’t it?