Heathers

Riverdale ep. 3.16 “Chapter Fifty One: Big Fun”

“She’s my best friend. God, I hate her.”

I love Heathers. It’s a truly oddball one-of-a-kind movie that has a black comedy that many movies have tried since to duplicate and failed. Now I have never seen Heathers: The Musical but I would assume it has all the components that put it in the same, twisted vein as its source material.

In last week’s episode, Cheryl demanded that Kevin change the musical to Heathers in order to get out her mean girl frustration. The Farm gets behind it, funding much of the musical. That also means that Evelyn Evernever finds herself chosen as Kevin’s co-director (much to Betty’s dismay).

And speaking of dismay, Cheryl learns that Toni is in charge of choreography. The two former-girlfriends begin to battle it out for territory in a power struggle both on and off the stage.

The Farm hosts a cast part before the show (which is just wrong) in which the actors are all encouraged to wear their costumes for the show. This is easily the most out-there detail of Riverdale yet. Name ONE show in the history of theatre that ever allowed the actors to party in their costumes before they even hit the stage.

At the party, the kids get loose. Veronica gets cozy with Reggie again after she learns the news that her parents are splitting up. And Archie and Josie make their canoodling public.

This, of course, leads to more complex discussions. Reggie isn’t entirely pleased with being Veronica’s go-to. But Archie and Josie begin to make their relationship more official (and I am HERE FOR IT).

Jughead, meanwhile, continues his quest to end his mother’s attempts at making a foothold in the Riverdale drug trade. He soon discovers that Gladys has turned their former trailer into her drug lab.

Together, Jughead and Betty go to the trailer together and burn it down. Betty has proven yet again that the kids in Riverdale have an unhealthy relationship with arson.

Evelyn spends much of her time using her power to force the actors into vulnerable places. She’s a total creep, but in an approachable way. An approachable creep from a cult. That’s actually a thing, I guess.

But Betty knows that the Farm is just using the musical as a way to indoctrinate more people into the cult. And at the very end of the performance, we see the cult in all their white-garbed glory in the audience.

To be honest, Riverdale hasn’t done a very good job at explaining why the Farm is so appealing. I think it’s supposed to be something about salvation and belonging, but it never seemed convincing. Now that we’ve see Chad Michael Murray revealed as cult leader Edgar Evernever IT ALL MAKES SENSE.

Overall, Heathers: The Musical was probably the perfect choice to cement Riverdale’s attempts at returning to normal. It suited the storylines very well. That being said, though, I did have more fun with the Carrie musical episode. But you know, I prefer murder over arson.

PS: Why the HELL is there some kid at the cast party dressed like the Gargoyle King?

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