All good things must come to a end. And with Part Three of this Are You Afraid of the Dark? reboot, all things conclude in a very satisfying way.
Rachel gets the gang together to talk to the gang (minus the missing Gavin) to have an emergency meeting. She has them all realise that they can’t remember her story or the Carnival of Doom. But the remaining three all agree to follow Rachel as she tries to solve the mystery of the missing boys.
They track Akiko’s phone, which the creepy clowns had taken from her. They trace it back to Idaho, where Rachel was from before she moved with her mom…and where the Carnival of Doom had stopped before. Akiko’s brother, Officer Hideo, agrees to drive them to Idaho. And he’s especially convinced after watching the strange footage from the carnival.
On the journey, the group go to a rest stop, where Officer Hideo is attacked by Mr Tophat’s scorpions. When Akiko goes to get him, she realises that he’s seemingly vanished without a trace. She finds a single gold coin by the drain…and her brother trapped in the mirrors.
Alone without an adult, the kids realise they’re on their own. Thanks to Graham’s (very slow) driving skills, TMS make it to the carnival. They bump into Bartholomew, a man also from Rachel’s dreams, who tells them the story of Mr Tophat…a man who was also alive in 1944 as Mr Cochran. He was so desperate to make money, that he opened his carnival before it was ready or properly tested. When a bunch of guests die in an accident on the ride, Mr Cochran is approached by the Devil.
Cochran accepts an offer that he will live forever with his successful carnival. No one will remember his deeds…until one day a child will come along and end his reign. That child is, of course, Rachel.
Bartholomew then explains how to defeat Mr Tophat: destroy his hat. They are given a golden coin to enter the secret room. With the knowledge at their disposal, the group make a plan to distractions at the carnival while Rachel takes the coin to the secret room.
As Rachel gets into the secret room, the others are attacked by Adam and a clown-ified Officer Hideo. Without her friends to come to her help, Rachel enters the room and finds herself on the stage of the big tent, having been tricked by Bartholomew.
Rachel is tied up to be sawn in half for the show (really giving me Leprechaun 3 flashbacks). But our Rachel manages to cut free of her bonds and wake the friends up from their trances, as well as taking Mr Tophat’s cane – the true source of his power not the hat.
United again (with Gavin!), TMS set off to destroy his top hat. All while walking through a rather creepy-looking and smoky ride – with plenty of flashing lights! One by one, the kids are grabbed and pulled into the water. All on her own, Rachel is threatened by Mr Tophat. He tries to barter with her, but the girl doesn’t fall for it.
With her prophecy-given powers, Rachel destroys that and ends the Carnival of Doom.
And all’s well that ends well. Rachel goes to her next Midnight Society meeting and everyone votes for her to stay on. But there’s always time for a few more little twists. And Gavin begins his tale – “The Return of the Ghastly Grinner”
And yes, this literally made me gasp.
It’s almost sad that this was a miniseries, with the next series being with a different cast of characters. These kids are cute, and a group to really love. I find that many of these series don’t spend the time to make the characters well-rounded, but you certainly get that for most of them.
There are some brilliant sets in this episode (as with the previous one) as well as some cool effects for a children’s TV show. But the story telling is a bit thin in places. Things get a bit convenient, especially towards the end. I suppose that’s why these stories were often better in their 30-minute format, there was only enough time to give a quick tale so plot holes were forgiven.
I’m pleased as punch that this series was so quality. I’m really looking forward to starting the second, which also has an impressive young cast. And no, I won’t wait until two years like I did this time. Though I do hope there is a bit more of the traditional storytelling in the future. It is, after all, everything that matters about the Midnight Society.